(tense music)
- Telling me what's going on
and I'll doing my own investigation, okay?
And I'm good at it.
- How do you feel?
- [Kerry] Lawson.
- Yes, Kerry.
- What the hell do you think you're doing
going into a private residence without a search warrant?
- So, you went in with no support. and no go ahead.
I'd be looking at some sort of strategy.
- [Kerry] Peter, cocaine anywhere?
- Kerry, no time right now.
- Look me in the eye, I need you to keep your eyes open.
- Tough guy.
And when did you get the call?
All right.
Yeah.
They're not likely to do anything stupid, are they?
Yeah, no, no, no.
No, I understand.
You tell your esteemed colleague that you've spoken to me,
and I'll get back to you.
Okay, bye.
(tense music)
Lawson, yeah it's Kerry.
It's exactly, uh, 06:35.
Yeah, I need to talk to ya.
Don't be such a smart ass.
Yeah, I know you can't help it.
(phone ringing)
- Hello.
(man sighs)
Gracie, it's Lawson.
- Lawson?
- [Dominic] What the hell is going on?
- No idea, I just got a call from Lawson.
- [Dominic] So, where are the guys?
- Looking for Leon.
- Good luck with that.
(phone ringing)
- [Leon] Josh.
- Well, Peter said that if there was anyone
who could do something under the radar that was you, so.
- Ah, that's nice to get a compliment from the Minister,
but, you know, no one's an expert.
- You can keep things quiet though, can't you?
- Yeah, yeah, I'll do my best.
Can you show me the disc?
- [Robyn] Yes.
- [Michael] (yawns) The Sun Incident.
What's a Sun Incident?
Well, I hope we get overtime.
- Help me!
I want my dad!
Mommy.
Mom, please just do what they say.
I've got to.
(girl screaming)
- [Kidnapper] We have Gemma and Madison.
Put $50,000 in a school bag, the main station, platform one.
at 08:38 tomorrow morning, or they die.
Do not contact the police, we'll kill them.
We get the money, we release them immediately.
They will call you.
Do not contact police or they die.
(sullen music)
(dramatic music)
(sullen music)
- Do you have a recent photo of your daughter?
And names and address of closest friends,
and the address of the other girl.
- [Robyn] Mm-hmm.
- [Kerry] Did you contact the other girl's parents?
- I rang her father.
I thought Maddy was staying the night there,
but he thought they were both staying here, so.
- Ah.
What's she like?
You know, she ran away before,
she got a history of rebellion?
- Um, no, she's well behaved.
She, um, she does well at school
and she's popular and she's--
- [Kerry] She got a boyfriend?
- Um.
I don't know.
- You don't know?
- [Robyn] Well I'm not at home a lot,
so no, I don't know if she's got a boyfriend.
- What about you, have you got any specific enemies?
- It's taken me years to get where I am,
so I could write you lists.
- Oh.
Anyone you think's capable of this?
- No.
(speaking faintly)
- [Stella] 41560.
- Hey,
so
(Stella laughing)
Sun Incident.
Massive,
massive.
- Special, unusual, newsworthy.
- You think I didn't know that?
- I know what a Sun Incident is?
Thanks Leon.
- My god, Leon, is that what they wear
in the club these days?
- Oh please, Inspector, an old celibate like yourself
wouldn't understand the pulling power.
- Hey watch it, this disc can you put it through
whatever you put it through, see what you can find,
I just don't want to take it forensics just yet, okay?
Hey guys, we got an abduction.
Two teenage girls,
one of them with a very highly-connected mother.
- Yeah, who's that?
- Robyn Hume.
- Oh, I didn't vote for her.
- Yeah, neither did I,
but she's got a lot of clout in the state.
So, we've been pulled in to see
what we can do under the radar.
All right, we've got 12 hours,
definitely less than 24 hours to do this,
'cause once the press get hold of something like this,
it all can go very wrong.
Now, it could be a hoax,
that's what we gotta eliminate first.
- [Madison] Help!
- The woman's a absent mom.
She's got no idea about this kid.
- Mom please, just do what they.
- And I don't want you driving around in vehicles,
certainly not near the parent's house, so use your own cars
or whatever it is you drive around in, all right?
Covert radio mics, is there any questions?
All right, Dom, Josh, I want you at the other kid's house,
it's a father only apparently, I want a photo,
any other contacts, see what he's up to, all right?
I've got the address out near my desk.
Okay guys, coffees down, come on, we've got 12 hours.
- [Kidnapper] Do not contact police or they die.
- We were told to keep this to ourselves.
Gutless.
Don't call the police, it said.
Don't call the police!
Did she even watch the bloody thing?
- Sir, that disc you received,
we'd like to take it in for analysis.
We need to move quickly.
- You can move as fast as you want,
the cops are all the same.
I'm paying the ransom so just keep out of it.
- [Dominic] So, when did you last see your daughter?
- [Bill] Two days ago.
- Two days?
- Are you judging me?
- No sir, it just seems a bit unusual.
- It's not easy bringing up a daughter by yourself.
I was in Mildura for a meeting,
and she's 15, she can take care of herself,
and I thought she was at her mate Madison's house.
We phone each other every day.
- When was the last time?
- Yesterday morning, she sent me a text.
I love you, Dad.
- Is that unusual?
Or does she usually send you I love you texts?
- What sort of stupid cop question is that?
The answer is yes, we're very close.
Well, if you wanna make yourselves handy,
you oughta ask Madame Hume a few questions.
That woman's poison, if you ask me.
- So, no problems gettin' the cash together?
- I'm a book maker.
- [Dominic] Is there likely to be anyone who, with a grudge?
- They win, they lose, come back the next day.
That's the way it is in my game.
- Anyone lost big lately?
- I've thought of that, and not particularly.
I'll keep this really simple.
This is my money, so I can do what I want with it.
I'll give it to them, and they give me back Gemma.
That's what they want, that's what they're gonna get.
So please, just keep out of it.
- [Kidnapper] We have Gemma and Madison.
- The voices could be anyone.
They've put them through half a dozen filters.
It's impossible to get back to the original.
- Well, male, female, accent, anything?
- There's no way of telling.
I can get it to the forensic science lab,
and they vacuum it to within an inch of its life,
but they're not gonna get much more, I guarantee.
- [Kidnapper] Do not contact.
- 50 grand for two rich kids, that doesn't figure.
- I know.
Something else going on here.
- They could just be after a big buck.
You know, like in South America.
They nab ya, your partner pays over a couple a grand,
and you're home before lunchtime?
- Yeah, maybe.
Don't buy that, do ya?
- [Lawson] No.
- [Josh] Hey, we've just left the Albert Park address.
The father's a bit of a rough head.
He's convinced he's gonna do the drop.
You want us to grab him?
- No, no, let him go.
Well, we got him, he calls a lawyer, this is out.
Just gotta be there though, eh?
- Yup. - Yeah.
(horn honking)
- Move your bloody car, can't you
see it's a driveway? - Morning, Mr. Parker.
Senior Sergeant Lawson Blake.
- I thought I told you lot to piss off out of this.
- Yeah, I heard that.
We're just wondering if you can do us a little favor.
- No way.
Once you lot get involved, it'll all go wrong.
I've seen it on the news.
You'll try to buy time and it never works out.
- Look, we're just after a little bit of cooperation
from you, Mr. Parker, that is all.
- I've never cooperated with a cop in my life.
You see, they're not terribly bright.
That's why they become cops.
(Lawson chuckles)
- [Lawson] Aw, that's very good.
- Now, seriously, there's a contradiction here.
I want my daughter back, and you wanna solve a crime,
and it's not the same thing.
- Mr. Parker, let me assure you,
our number one concern is to get your daughter back,
but there's something we need you to do for us.
(tense music)
- Michael, I need ya to come back up this end.
- Yeah, I got that.
By the way, check out the hot chick at three o'clock.
Yeah?
- Michael, you use the radio informally one more time,
I'm gonna have you taken out the back and shot.
You got that?
- Yeah, got it.
- Looking good, guys, all clear.
Here he comes.
- [Grace] He's here, Kerry.
- Nice, Lawson.
FYI, tracking device is perfect.
Confirming train is on approach.
(girls laughing and chattering)
Ah, shit.
- Anyone got a visual on the bag?
- They've all got the same one.
- Leon, help us out here, did ya see anything?
- The bag's not on the train.
It's with the kids leaving the station.
- Get two cars following that bag, will ya?
- Yeah.
- Oh, this I all I need.
Yep, get it up, guys.
I think this is gonna get a whole lot messier.
You don't have to be here, Mrs. Hume.
- I can't afford for this to get out.
You do realize this, don't you?
- I'm keeping it as contained as I can.
That's all I can do.
- If the press get onto this, it'll be chaos.
Now, I need your assurance
that you're gonna keep this under wraps.
- I can't give you that assurance.
It's impossible, I told you.
I'm doing what I can.
- I'm sorry, it's not enough.
Peter said you'd have this under control.
- Go home, Mrs. Hume, now.
- It isn't my style to threaten people,
but I strongly advice you not to try pushing me around.
- [Kerry] Right, how we going?
- [Leon] It's in a vehicle on the move here.
Guy stepped on a let turn at Park Street.
Got anything interesting?
- [Lawson] Ah, look, we got a couple of taxis,
a van, various sedans, an SUV, nothing specific yet.
- [Kerry] Do you notice another piece of junk
just up ahead, Lawson?
- [Lawson] What, do you mean Josh's piece of junk?
- [Josh] Piece of junk?
- Michael could beat this car with a stupid postie bike.
- [Josh] Shut up.
- [Leon] Right turn into Montague Street.
- [Kerry] Give 'em plenty of room, guys.
- [Leon] They're coming up to the light.
Slowing down.
- Oh, I'm sorry, Mrs. Hume, you can't come.
Oh Jesus, come on.
Please, it's not.
- God! - It's not doing any good.
Please, let's just go out, just a minute.
- [Stella] Come on, we're losing them.
- [Michael] We're just coming past you, Josh.
- [Josh] Yeah, I'm lettin' Lawson take the lead.
- Oh, I think we're losing power.
- Do you wanna get the bus?
- Left into Dorcas.
What have you got?
- Right Leon, this is looking better.
We're down to taxi and a red hatchback.
- You gonna be able to find her?
- You know I can't answer that.
- Oh god.
- [Kerry] Look, Mrs. Hume,
I really think it's best if you go home.
I will be in contact, I promise you.
(tense music)
All right?
- All right, thanks.
If that man has had anything to do with this--
- Hang on, what man?
- Gemma's father, I told you.
- No, no, you said something vague
about him being involved in something,
like what sort of things?
- Well, he's a bookie, so he's a, he's a criminal.
You'll be able to check him out?
- Yeah, we'll check him out, thanks.
I'll be in contact.
- Good.
Okay, then.
- Turning left into Missingham Street.
- [Lawson] Taxi, Leon, it's gotta be the taxi.
Josh, where are you?
- Right behind ya.
- Just confirming it stopped.
- [Lawson] Copy that, yes, taxi has stopped.
Josh, can you go around the back?
Wait for my call to go in.
- Copy that.
- [Lawson] Ready?
- Yeah. - And go.
Place the bag on the ground, put the bag on the ground!
- [Driver] It's not my bag, it's the fare, it's the fare!
- [Dominic] Get down on the ground.
Put your hands behind your head.
- Take it easy, guy.
Stop, it's not here.
There's no money, nothing.
Kerry.
- Money's not there, right?
- [Lawson] Yeah, correct.
- Yeah, it had decoy written all over it.
Get back here as quick as you can, okay?
Oh.
Oh, Leon, stop fiddling, you are driving me insane.
- Shit quality station cameras.
The degradation of the public transport infrastructure
in this state is a real travesty.
- Leon.
- Which people don't care about nearly enough
and then they get might annoyed when you mention it,
which is a shame 'cause it's actually important.
Bugger it.
I'm gonna have to shove those through the other filters.
- Yeah, well. - Built by me, actually.
- You do what you need to do, Leon.
I'll be back.
(Leon sighs)
- Yeah, he checked out fully.
Girl got in the cab
and got him to drop the bag and the address.
Gave him 50 bucks for a $20 fare.
The address is random, I checked that as well.
- Did he give you a description?
- [Lawson] Uh, blonde hair, teenage school kid.
Coulda been any one of those girls.
- I didn't wanna put the bloody stupid
bloody tracking device in the bag in the first place.
- Sir, we have an obligation
to pursue every available option.
- So, they got their money now, and they'll give her back.
So, you lot just back off.
- Look, they said that they'd release the girls immediately,
and that money disappeared about an hour ago.
- So, I'm waiting.
I just want my daughter back.
- Look, I had a chat to Madison's mom.
How well do you know her?
- That bitch.
Why don't you investigate her?
In fact, why don't you stop talkin' to people?
I just want my daughter back, yeah?
- We all do.
- No, you don't.
You wanna solve the big case, make a name for yourself.
In fact, who are you lot?
You're not kidnap experts, that's for sure.
You got kids?
- Yes, I do, I have a son,
so I do know what you're going through.
- No, you don't.
- Yes, I do.
Believe me, I do.
- You're not listenin' to me.
From now on, I wanna do it my way.
So, you get outta my house.
- Okay, okay.
(Kerry sighs)
(tense music)
Lawson, I'm trailing the Parker father down on Park Street.
- [Lawson] What for?
- Well, he's gonna do it his way
with some sort of firearm, I reckon.
Could you get a team on the road
and head 'em in this direction?
- [Lawson] Copy that.
We'll be in Tango One.
- Lawson, where are you?
- [Lawson] We're on Richardson Street.
We've got you sighted up ahead.
- He's in the charcoal Ford up ahead.
Grab him now, will you, make a lot of noise.
(siren wailing)
- [Lawson] Get out of the car.
- That's a nice one, Gracie, well done.
- Spread your legs.
- I thought you said you were doin' this on the quiet.
- Yeah, we were, but let's just say we reverted to type.
So, where are we going with this?
Oh, come on, time's running out.
Your daughter is out there somewhere!
- A guy I know bets with me.
- Yeah? - I've taken
a lot of money off him over the years,
and I know he's a crim of some sort.
- [Kerry] Right, what's his name?
(tense music)
- [Josh] Better stay with the car.
- Five-oh.
Leon, we're at the location.
- Okay, house is owned by a Helen Lissola.
She's known ex-wife of Marcus Day,
better known in some circles as Sumo.
He bets with Bill Parker
and has apparently been asking questions
about Gemma and her school.
He's done three years for drug dealing, cocaine,
and apparently, he's moved on to more profitable stuff.
No one's likely to be home.
Miss Lissola's known to be Bangkok,
and Sumo hasn't been seen for two weeks.
- [Stella] I'll take the back.
- [Josh] All right.
(tense music)
Oi!
Stop!
- [Stella] Police, stay where you are!
- [Leon] Uh, guys, Stella's in trouble.
- Drop your weapons!
- Trust me, darling, I'll use it.
- [Stella] Drop them!
- Hey, why don't you piss off?
- Drop your weapon!
- Repeating it isn't gonna make it happen.
- Police, put your weapons down!
Drop 'em now, drop 'em!
(Dominic groaning)
- [Stella] So, what do you know
about Madison Hume and Gemma Parker?
- Bill Parker's kid,
who wants to blow my bloody head off.
I told him it's not us.
I don't know Bill's daughter.
I never met her.
- You're pretty interested in her school though.
- I got a teenage daughter.
Just wanted to know what it was like.
They said it's got a good orchestra, so that's a good thing.
- Leon, we are code five.
- Hey! - Oi, oi, oi!
- [Josh] We are code five.
Put your weapons down!
- Why don't you guys go and find Bill's little girl?
Don't let us keep you.
You guys go and we'll just pretend that this never happened.
- Sorry, I don't think so.
- What are you gonna do?
You shoot the three of us for this crap?
Have look around, you're outnumbered.
- Dom, I need you around the back of the house right now.
Everyone, we have three targets who are armed,
I repeat, who are armed.
Chris, let me know when you're ready.
(Dominic groaning)
Copy that.
- Hey! - Hey!
- [Josh] We have a high-powered rifle
crosshaired on one of you.
You put your weapons down or I give the order.
Drop your weapons.
- [Stella] Drop it!
- Put it down!
- [Stella And Josh] Drop it!
- [Stella] Down.
- [Josh] Down.
Drop it.
Put it on the ground now.
Now, back away!
- [Stella] Against the wall, go!
- Oh no, she's nothin' but a pain in the ass.
Yeah, look, listen Peter,
why don't you give me just four, five hours,
and if we don't turn up anything but, yep.
Yep, yep.
Okay, okay, bye.
Two hours we've got.
- Kerry, let's just hand this thing over now.
- We started this and I'm gonna finish it.
- This is not us, we're tactical response.
We're not the bloody missing persons--
- I was given this brief and I am not tossing it now.
- All right, so this is all about
you impressing the commissioner, is it?
- No, it's about finding two missing girls.
(Dominic groaning)
- [Stella] So, you got him then?
- [Dominic] Oh god.
Can you give us hand?
- [Josh] Pop a groin, old man?
- Come on. - Come on.
- [Stella] Come on.
- Crosshaired?
What kinda terminology's that?
- Come on.
- Thought it sounded cool.
Are you at least gaining on him?
- Shut up.
(Dominic)
- [Stella] Should we just drop him here?
- [Dominic] No, you guys, we work well as a team.
(Stella laughing)
- Ah!
Here we go.
(tense music)
Kerry!
- Yeah?
- [Leon] Got a bit of a surprise for ya.
- [Kerry] Huh?
- [Leon] Lookey, lookey.
(Kerry sighs)
- Hey guys, Leon's made an ID.
One of the kidnapped girls picked up the ransom money.
- What does that mean?
- I don't know.
They probably sent her still holding the other girl,
in which case, they would've been following her.
- So, what now?
- [Kerry] Stay on the grid, we'll get back to you.
- Why would anyone kidnap two 15-year-old girls?
- Why not?
- A 15-year-old girl is like a walking hormone cocktail,
with the brain of an eight-year-old.
So, you put two together, and you're asking for trouble.
- [Dominic] Oh god.
- What?
- I got a daughter in three weeks.
I don't wanna hear this.
(Stella laughing)
- [Josh] Good luck, Dad.
- Well, she doesn't look nervous.
I mean, look at that, she's on her own.
That's not a girl under threat.
She can bolt any time she likes.
- Yeah, but if they're holding the other girl,
she's not gonna take off, is she?
- I suppose.
Unless the girls did it themselves.
- We got it!
- We did it!
- [Gemma] We did it!
(girls laughing)
Oh my god!
Oh my god, oh my god.
(girls squealing)
(tense music)
- [Madison] What's the matter?
- I just hope my dad's okay.
- Gem, he'll be fine.
My mom won't even notice.
Besides, this is brilliant.
(Madison sighs)
One month, that's all,
and then they're gonna be like, wow, look at them.
We are the coolest.
Okay?
- Yeah.
- [Madison] Yeah!
(phone ringing)
- Parker.
- Daddy.
- Gem.
(computer beeping)
- One of the girls is making a call.
I can get this triangulated.
- Great, send her through when you get it.
- Done.
- Where are you?
You all right?
- I'm fine, I'm just calling to make sure you're okay
and remember to take your pills.
- Gem, tell me what's happening.
I can help you, who's got you?
- No one's got us, Dad, we're fine.
- Cops are lookin' for ya.
- What?
We said!
Who called, Dad?
- Gem, tell me where you are!
- I've gotta go, Dad.
Take care of yourself.
Please, remember to take your pills.
I love you.
- Hello, my darlings.
- [Gemma] Hi Sofie.
- We all set?
Let's go.
What's all this?
- Um, well, we abducted ourselves,
and we got a huge random from our parents.
- It's okay, models make heaps of money, right?
And we'll just pay them back with our own money.
- Yeah, with interest, Gem.
- [Gemma] Yeah.
- They know you're gone?
- Well, we're pretty, so what?
It's like, like Paris Hilton.
She was just some nobody rich bitch
till she gave that guy a BJ on the internet.
- Exactly, and I mean, look at the story, Sofe.
When it comes out that we've been kidnapped
and then in a few weeks' time,
we turn up in New York and let it out that it's us.
You and your agency will make stacks of money
and there is no crime to answer for,
unless our parents charge us.
- [Madison] Yeah, which they won't because,
you know, we're gold.
- Yeah, and we've totally got enough money for New York.
- You stupid, stupid little bitches.
Sit down.
Sit down!
(speaking in foreign language)
Yeah, well, you better get down here as quickly as you can.
Yeah, okay.
Uh, how could any girls be so stupid?
Where are your phones?
Where's yours?
- [Kerry] Leon, what's going on
with that phone triangulation?
- Yeah, I'm still tracking it.
Look at this.
You know that Sumo guy that Stella and Josh grabbed.
- Yeah.
- He's a novice drug dealer.
He's never been committed for any other crime.
This is is ex Helen Lissola.
Seems to me, if Sumo's going around
asking all these questions about Gemma and her school,
well, who else might be interested?
Wanna know more?
- Yeah, I do, go on.
- I had her in Bangkok, but it seems that she arrived
back in Australia only five days ago.
- [Kerry] And?
- Interpol face recognition.
Beautiful technology, look at that.
They brought her in under the name of Sofia Rabowicz.
She's on a watching brief over the disappearance
of a school girl in Singapore last year.
- When did we last call Madison's number?
- 10 minutes ago.
(Kerry sighs)
(phone ringing)
- [Madison] Hi, this is Maddy.
I'm busy right now, but leave a message,
and I'll get back to you.
(phone beeps)
- Madison, this Kerry Vincent, I'm a police officer.
Sweetheart, if you are playing with us,
you better think again because we've just identified
the woman you're with as a Sofia Rabowicz.
She's part of a criminal gang that lures girls overseas.
This is no joke, sweetheart.
You've gotta get away from her as fast as ya can.
Or think about all those guys
who are gonna be bangin' your teeny ass off
in some cell in Bangkok.
Teenage girls, shock and fear, that's all they understand.
I know, I was one.
- What, you don't think that was a bit harsh?
- Hey, my words or reality, what's gonna kill her?
Madison, this is Kerry Vincent.
I'm a police officer.
Sweetheart, if you are playing with us,
you better think again because we've just identified
the woman you're with as a Sofia Rabowicz.
She's part of a criminal gang that lures girls overseas.
This is no joke, sweetheart.
You've gotta get away from her as fast as you can.
(speaking in foreign language)
(Sofia sighs)
- Sofie.
- Shut up!
(speaking in foreign language)
All right, we're going.
Get your things together now.
- Well, where are we going?
- I said, just do it now.
Get all your stuff together quickly.
- [Gemma] What are you doing?
That's ours!
- I said, now!
- [Tomas] Move it!
- I got it, 77 Airport Road, it's a motel.
- Tell Lawson and the others to go straight there.
I'm heading out.
- I'm onto it.
(tense music)
(speaking in foreign language)
- Yeah Leon, we're close to that motel.
- I have to go to the loo.
- No Gemma, there's no time, just get in the car.
- Sofie, please, I've gotta wee.
- All right.
Be quick. (speaking in foreign language)
- Hey! (whistles)
Come back here!
- Sorry, Gemma.
No time, just get in the car.
- [Gemma] Are we going to the airport now?
- [Sofia] Be quiet, both of you.
- Hey, upstairs, room 84.
- Door is ajar.
Clear!
- [Grace] Clear!
- Take a seat for me down here on the chair, thank you.
- You know what, I want my phone back.
You can't just take a person's phone.
- Where are we going, Sofie?
You have to tell us.
- Yeah, you better tell us right now
or you'll be in so much trouble.
Do you know who my mom is?
(speaking in foreign language)
- I don't even need you anyway.
- Sofie, who is this guy?
- Yeah, tell him to give us our money back.
You better Sofie, or we'll seriously.
(dramatic music) (Gemma whimpering)
- Oh my god! (speaking in foreign language)
Gemma, it's okay, it's okay.
Oh my god, Sofie please!
- It won't happen again, okay?
I promise you.
- [Madison] See, it's okay, it's okay.
Gemma?
- Hey!
Come back here!
Hey!
- Don't you move!
(Madison sobbing)
(speaking in foreign language)
- Tomas.
(speaking in foreign language)
- Ah, Leon, we just missed them.
The description I got here was a woman,
late 30s, well-dressed, blonde hair, two teenage girls,
but get this, they left with a man of similar age,
average height, dark hair, brown leather jacket
seen leaving in a late '90s champagne-colored Mercedes-Benz.
Nah, I didn't get a reg.
Let's get back.
(tense music)
(Gemma panting)
- Daddy.
- Okay, Gemma's daddy getting a call
from a public phone box reverse charge
from the corner of Appleby Street
and Fortesque Street, Tullamarine.
- Are they still talking?
- Line's still way open here.
- [Lawson] Guys, are you getting this?
- Got it, Lawson.
- We'll head to the phone box location.
You go to the father's place quietly.
If he goes, then we'll follow him.
- [Dominic] Okay, copy that.
- I'm closer than both of you, I'll see you there.
- Well, maybe you should just, just do the yoga stretches.
It might help.
Or it might not.
You sound tired.
- Remind me never to get pregnant.
- I love you too, bye.
- Dom, you sound like a woman's weekly column.
- That's great, you should, you guys need to do it.
- [Stella] Do what?
- Have sex, followed by kids.
- Not for this little, pink duck.
- Hey Josh, my wife's best friend just got dumped again.
She's lookin' for someone nice.
I mean, I don't know anyone nice, just thinkin' you instead.
- I don't really date chicks.
- No, he just screws them.
- And then he punched me.
Please, you have to find Maddie.
- [Kerry] So, who's he, Gem?
- I don't know.
Sofie called him.
I wanna see my dad.
- Yeah, he's on his way.
So, how do you know Sofie?
- She's from an agency in New York.
She wanted us to go there to be models.
- So, what did she have to do with the kidnapping?
- That was Maddie's idea.
She wanted to get money to go and to be famous.
- Of course.
Here's your dad now, sweetheart.
Here he comes.
(tense music)
(speaking in foreign language)
(Madison sobbing)
- Confirmation of Helen Lissola, alias Sofia Lissola
is Sofia Rabowicz booked on a flight to Bangkok
for tonight under that name, she and the two girls.
She served a year in a Ukrainian jail
for prostitution offenses.
- [Lawson] Okay, thanks.
Any sign of the car?
- Yeah, I'm working on it with street cameras.
I'll work through the cameras from the motel back.
And I've notified the airport.
- They sell young girls.
What is wrong with people?
- What I wanna know is why is a kid
getting on a plane with someone they don't even know?
- Well, if you're a 15-year-old girl
and the first half of the spiel involves
you being beautiful, no one understands you,
and do you want to have an adventure,
then the second half, you're not gonna listen to it.
- If I'd known that, my teenage years
would've been a lot more enjoyable.
- Leon, we've done this grid.
Uniforms have crawled all over it, are you sure?
- Infallible as the Pope.
The car went through the Kendall Road intersection.
I'm looking at the damn thing.
The next camera's two clicks away at Maiden Street.
There's nothing there, nothing at any of the others.
I'm telling you, that merc is your grid somewhere.
- Yeah, well, it's not.
(tense music)
- Guys, sorry, but unless that car levitated,
it must be there somewhere.
- [Lawson] Car's not on the street, Leon.
Come on.
- Lawson, give me a break.
I'm giving you everything I've got.
- [Lawson] Well, not good enough.
Have you missed it?
Check again.
- Hey, I'm doing my job.
You're the one saying it isn't there,
and I'm telling you, it is.
- [Grace] Leon, she hasn't just vanished into thin air.
- And she hasn't gone underground.
- Underground.
See, Dom, that's why you're the only one that's fertile.
All right, this could be it.
Lawson, you're closest.
There's a disused carpark second on your left.
Go for it, to your right, boy.
(tense music)
- There.
- [Lawson] Nice.
- [Madison] Someone there?
Help!
- [Grace] Hey, it's okay, you're safe now.
It's okay, it's okay, are you hurt?
Are you Maddie?
- [Lawson] Yeah, Leon, we got her.
- Inspector, I can't thank you enough.
This has changed everything for me.
She was the cutest little girl.
She was so sweet.
I haven't seen her father in five years.
I don't know any of her friends at school.
I couldn't tell you what music she listens to.
You probably had your son
when you were old enough to know better.
- No, no, I had him when I was 23.
God, no one should have a kid at 23.
- Mm, that's me.
- He's in New York now.
Haven't seen him for three years.
- What's his name?
- James Ashley Dominic.
Negotiations over those name.
- Well, you know what I did, I had Maddie,
then I put my head down and worked hard.
Looked up 10 minutes later and she was 15.
- Yeah, tell me about it.
(Lawson sighs)
(sighs) What now?
- Yeah, it's all right, you pulled it off.
- I talked to Robyn Hume.
Just as we expected, she had an affair
with that bookie a couple years ago.
Done rude, apparently.
- Ah good, glad she shared that
with the law enforcement community.
- Did I ever tell you guys you're good?
- Oh, Kerry, don't start pissing in my pocket now, please.
- Tell me something.
You in a relationship?
- I was until recently, why?
- You know nothing about women.
- And how would you bloody know?
(Kerry laughs)
- You want a drink?
- Nah, I gotta go.
(phone beeping)
- Hey, hi, James.
Yeah, hi, it's your mom. (laughs)
(tense music)
Oh, sorry.
Oh, sorry, what time is it?
Oh, sorry, I had no idea, yeah.
Yeah, yeah, of course, of course.
Yeah, anytime, you got my number, yeah.
Yeah, yeah, sorry.
Yeah.
Bye.
(sullen music)
(dramatic music)